Portal:Theatre

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Ancient Greece theatre in Taormina, Sicily, Italy

Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. It is the oldest form of drama, though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe").

A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. (Full article...)

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This naval battle was one of the sets for Elkanah Settle's Empress of Morocco
The Restoration spectacular, or elaborately staged "machine play", hit the London public stage in the late 17th-century Restoration period, enthralling audiences with action, music, dance, moveable scenery, baroque illusionistic painting, gorgeous costumes, and special effects such as trapdoor tricks, "flying" actors, and fireworks. These shows have always had a bad reputation as a vulgar and commercial threat to the witty, "legitimate" Restoration drama; however, they drew Londoners in unprecedented numbers and left them dazzled and delighted. Basically home-grown and with roots in the early 17th-century court masque, though never ashamed of borrowing ideas and stage technology from French opera, the spectaculars are sometimes called "English opera". The expense of mounting ever more elaborate scenic productions drove the two competing theatre companies into a dangerous spiral of huge expenditure and correspondingly huge losses or profits.

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John Barrymore
John Barrymore (1882–1942) was an American actor on stage, screen and radio. Born into a theatrical dynasty, he initially tried to avoid the stage, briefly attempting a career as an artist, but he soon followed his father Maurice and siblings Ethel and Lionel into acting. After beginning in light comedy, he moved to high stage drama, culminating in productions of Justice (1916), Richard III (1920), and especially Hamlet (1922), a role critics lavishly praised him for. After his stage career peaked, he turned entirely to cinema for the next 14 years, initially in silent films. His stage-trained voice proved an asset when sound films were introduced, and three of his works have been inducted into the National Film Registry. His personal life has been the subject of much attention before and since his death. He struggled with alcohol abuse from the age of 14, was married and divorced four times, and declared bankruptcy in his fifties. Much of his later work involved self-parody and the portrayal of drunken has-beens. A hugely influential actor whose talent still shapes Shakespearean acting today, his later career and private life were seen by the obituarists as a waste of a once-great talent.

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Spencer Tracy
Know your lines and don't bump into the furniture.

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