Links

Everything Is Heritable:

• “Measure for Measure: The strange science of Francis Galton” (on Galton, statistics, regression to the mean, and eugenics.)

Politics/religion:

• “A Cold War Conundrum: The 1983 Soviet War Scare”
• “Before you study public opinion, you wonder why policy isn’t far better. After you study public opinion, you wonder why policy isn’t far worse.”
• “How Napoleon Chagnon Became Our Most Controversial Anthropologist”
• “Why Are There So Few Vegetarians? Most ‘vegetarians’ eat meat. Huh?”
• “The Live-and-Let-Live System in Trench Warfare in World War I”, Axelrod 1984
• Flight and expulsion of Germans (1944–50)
• “Abraham Lincoln, Necromancer”

Statistics/AI/meta-science:

• “The Non-parametric Bootstrap as a Bayesian Model”
• “Crowdsourcing data analysis: Do soccer referees give more red cards to dark skin toned players?” (61 analysts examine the same dataset for the same research question to see how much variation in approach determines results)
• “Using degrees of freedom to change the past for fun and profit”
• “The psychology of parapsychology, or why good researchers publishing good articles in good journals can still get it totally wrong”
• “Predictive modeling, data leakage, model evaluation”

Psychology/biology:

• “Genetics and the placebo effect: the placebome”, Hall et al 2015
• “CRISPR/Cas9-mediated gene editing in human tripronuclear zygotes”, Liang et al 2015
• “Rising Plague”
• “Icing Organs: Why scientists are so near and yet so far from being able to cryopreserve organs”
• “Discrepancies between clinical and autopsy diagnosis and the value of post mortem histology; a meta-analysis and review”, Roulson et al 2005
• “When Daydreaming Replaces Real Life: Should elaborate fantasies be considered a psychiatric disorder?”
• “The Catastrophe: Spalding Gray’s brain injury” (medical ethics, dereliction of duty)
• “The Price of a Stolen Childhood: When Nicole was a child, her father took pornographic pictures of her that still circulate on the internet” (from the sound of it, the “restitution” has done far more damage to her than the abuse itself)
• “The Last Magic Show: A Blind Brain Theory of the Appearance of Consciousness”, Bakker
• “Nature makes no leaps”

Technology:

• “The Tail at Scale”, Dean & Barroso 2013
• “Tacit Knowledge, Weapons Design, and the Uninvention of Nuclear Weapons”, MacKenzie & Spinardi 1995

Economics:

• Children are net losses to parents, even in peasant or hunter-gatherer societies
• Arab slave trade
• Social impact bond
• “Deep Inside: A Study of 10,000 Porn Stars and Their Careers”
• “What Happened with LEGO: The price of a brick”
• “So You Discovered an Anomaly … Gonna Publish It? An Investigation Into the Rationality of Publishing a Market Anomaly”, Doran & Wright 2007
• “Superiority” (Arthur C. Clarke, 1951)

Philosophy:

• “Universal Love, Said The Cactus Person”

Fiction:

• “Birdless Country”, by Burton Watson
• “The Garden of Proserpine”, Swinburne 1866 (negative utilitarianism)

Books

Fiction:

• The Sagas of Icelanders

Nonfiction:

• The Hall of Uselessness: Collected Essays, Simon Leys (review)

Manga:

• Tsutomu Nihei: Blame!, Blame! Academy, Noise!: beautiful nonsense. Nihei cannot write plots, coherently world-build, or do dialogue, and I find myself regretting the commonness of manga written by mangaka whose strengths lie almost entirely in one domain (writing vs art); if he had been yoked to the same plow as a writer like Gen Urobuchi or Ryukishi07, what could they have created? As it is, Nihei remains a visual stylist only. Probably not good works to marathon, because after a few chapters in a row, the visual enjoyability of the architecture and the skulls starts to pall—he uses the same motifs over and over.

Film/TV

Live-action:

• Cinderella 2015: this was more interesting than I had expected. What it seems to be aiming at is a polished, straight/non-revisionist telling of the classic Cinderella story (without the narcissism of Frozen and its instantly-dated tone-deaf snark), but with a minimalist approach to magic and comedy (the animals are only minor elements) with all the romanticism and exaltation of traditionally feminine virtues implied, and a low-key but consistent effort at rationalizing and embedding the fairy-tale into a plausible world (a sort of 1700s England/Italy/France-hybrid small kingdom). For example, the wicked stepmother is indeed wicked and enjoys her small cruelties, but has motives beyond pure malevolence for the mistreatment (aware of her daughters’ fecklessness, that, if she doesn’t find them a match, they’re doomed); or while Cinderella is escaping from the palace, the prince plausibly orders a pursuit and the coachmen trip a portcullis on their way out to block pursuit, resolving a common objection. The rest of the movie is executed as competently as one expects of a top-tier Disney live-action film: the dresses are naturally almost hyperreal, the settings are overstuffed pastoral of almost Thomas Kinkade-caliber, and Cate Blanchett & Lily James hold down their parts well (the former to simmer and emote, and the latter to be brainless & beautiful—although I will never understand why they did not dye her eyebrows blond as well, a contrast which distracted me in almost every scene). All in all, pretty good and has probably cemented Cinderella’s status as a major part of the Disney princess-industry for another generation.
• Night at the Museum: Secret of the Tomb (2014); an attempt to do a little worldbuilding in providing a backstory for all the antics, and close the franchise (temporarily?) with a theme of maturing and passing on the baton, closing the loop with the first movie; unfortunately it comes off as completely stale, with no gags we didn’t get tired of in the first two movies.

Anime:

• Atama Yama: curious short story about a greedy miser who grows a small sprout on his head apparently as punishment, is annoyed by the even smaller visitors to the tree, and then apparently drowns while trying to get rid of it. The story isn’t much, but it’s much more interesting to listen to the narrator recite it to the traditional music and watch the eccentric animation.
• Ben-to: waste of time. Interesting concept which doesn’t go anywhere, on top of which the fights are repetitive and unimaginative (if you’ve seen one you’ve seen all, as they are all lazy battle-royales and punches which could be, and probably were, clip-arts), they are entertaining neither as realistic nor shonen-superpowered nor parodies, and the series winds up spending most of its time, apparently, on mean-spirited mockery of fujoshi, yuri fanservice, and twincest. Only 2 positive aspects come to mind: the character Sen Yarizui is not, surprisingly, yet another Rei/Yuki-doll-knockoff character; and the final arc is a little more insightful about the nature of competition than expected.

Music

Doujin:

• “Lost my music” (TAM, Gensou Gakudan, Satoru Kousaki; Suzumiya Haruhi no Kyouen {2007}) [classical]
• “Rider / The Distant Sea and Holy Land” (TAM×Aruna Ryuki; Fate Violin Zero {M3-29}) [instrumental rock]

Touhou:

• “少女” (KD feat.瑶山百霊; SEEKING {C81}) [trance]
• “少女 -Ryutsuki Version-” (暗猪 feat.流月; SEEKING {C81}) [trance]
• “鏡に映らない闇 ～sorairo no tabi～” (暗猪 feat.流月; SEEKING {C81}) [vocal]
• “月笹船” (Jersey to Yukaina Nakamatachi; 涼風至 {C86}) [folk]
• “Bom dia” (だ feat. ごんだくたー; TOHO BOSSA NOVA {R9}) [bossa nova]
• “Bonus Track” (うんちく商事; Land der Illusionen {TK10}) [orchestral]
• “Eastern Mystical Dream ~ Ancient Temple” (うんちく商事; Land der Illusionen {TK10}) [piano]
• “IQ69” (Sound of Swing; In Walked Cat’s {C86}) [jazz]
• “Afternoon tea in Tunisia” (Sound of Swing; In Walked Cat’s {C86}) [jazz]

Kantai Collection:

• “全艦娘、突撃！(艦隊決戦アレンジ)” (TAMUSIC; 艦これメタル {C87}) [metal]
• “母港” (TAMUSIC; 艦これメタル {C87}) [metal]
• “昼戦〜戦乙女の行進〜” (伊藤 翼; Kantai Philharmonic Orchestra {C86}) [orchestral] (PV)

Vocaloid:

• “Yume Rockets” (Miku; OKUMEIKIBOUNOTOKYOTOZAIJYUU; Virtual Songs {2009}) [electronic/Jpop]